Friday 2 December 2011

DRIVE


Capitalising the title is  necessary, as this film certainly delivers a punch!! The film is based around the central character of the unnamed Driver, expertly played by Ryan Gosling, who manages to pull off the moody introvert. He is a stunt driver/Garage worker who moonlights as a driver for criminal gangs,and for someone who initially shows no apparatus for emotions, becomes involved in the lives of his next door neighbour; Irene and her son.

The best word to describe this movie is cool, from the pink italicised font to the outfits, especially the Drivers which will, surely become a classic. It was certainly well shot by director Nicolas Winding Refn,  and the use of dark and light was highly effective, but the best addition to the film was the soundtrack. It was cleverly entwined into the action, from the general thumping beats at the beginning which played alongside the car chase to the somewhat ethereal 80s tunes which created a direct contrast to the violence expressed in many of the scenes.

However I must expand on my viewing experience, which was slightly ruined by the projector breaking 3/4 of the way into the film, there were hurried exchanges between technicians and rowdy shouts from the audience but their was nothing to be done. The offer of a free film did not really consolidate my desires to see the conclusion, ands returned home with a mind full of speculation over the endings, and so far I have managed to avoid Wikipedia to see the what did occur.

 Since writing the previous section I have now managed to see the end, which although mildly shocking, is a fitting and simple ending atheistically shot and manages to tie in to the sense of emptiness and isolation which runs for the duration of the film.

Some will immediately discount the film due to the use of occasionally gratuitous violence, but it is of the noir genre, so such scenes are somewhat expected. It is a film that should be seen as there has obviously been much thought put into every aspect of its design and production, and although there is violence in it, this is not the central element it is the Driver who seamlessly and effortlessly glides through life, much like the cars which he so confidently controls.

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